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Appoggiatura in Baseball
Posted By Summer Anne Burton On March 8, 2012 @ 9:30 am In Audio and/or Visual | 6 Comments
“Happiness is a sad song.” -Charles M. Schultz
Major League Baseball tried out “open mics” during yesterday’s Indians-Diamondbacks spring game, and with it, the beautiful and gentle beast that some call “Jason Kipnis” has unleashed his inner Adele. See, joy:
A few weeks ago Michaeleen Doucleff (clearly a fake name, but we’ll let it go for now) analyzed why, exactly, Someone Like You makes
you me cry so much:
An appoggiatura is a type of ornamental note that clashes with the melody just enough to create a dissonant sound. “This generates tension in the listener,” said Martin Guhn, a psychologist at the University of British Columbia who co-wrote a 2007 study on the subject. “When the notes return to the anticipated melody, the tension resolves, and it feels good.”
Chills often descend on listeners at these moments of resolution. When several appoggiaturas occur next to each other in a melody, it generates a cycle of tension and release. This provokes an even stronger reaction, and that is when the tears start to flow.
This is why we like baseball, right? “When the notes return to the anticipated melody, the tension resolves, and it feels good.” Baseball is strangely forlorn — so much failure, so much defeat. But it feels better than most things because of that very sadness which allows for relief. Joy in baseball is a slump broken, a ball barely caught, one blazing fastball found and hit into the ether. Tension is relieved, tears — or “goosebumps,” as dudes like to call them — flow. It’s even stranger when one realizes that Jason Kipnis singing “Someone Like You” is the perfect microcosmic metaphor for all of this. I went through the following feelings in just a few seconds while watching the clip above: boredom, timid amusement, warm and creeping happiness, surprise, shock ‘n’ awe, delight, empathy, un-loneliness, compassion, slight and strangely satisfying melancholy, amazement, admiration, understanding, nostalgia… This is a pretty close approximation of the set of emotions I experienced the first time I heard “Someone Like You,” and also the set of emotions I experience when I watch a “good” baseball game.
Jason Kipnis understands Adele, and by understanding Adele he understands the joy inside sadness, and by understanding that, I believe he deeply understands baseball. Bearing this in mind, I have added 20 extra bases to every projection I’ve recorded for him. Carry on, Jason Kipnis. I wish nothing but the best for you, too.
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